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NEW YORK (AP) — Gushing after the New York Philharmonic performed Leonard Bernstein’s music, Bradley Cooper talked about creating the film “Maestro ″ in hopes of drawing more attention to the composer and conductor. They were joined by Carey Mulligan, who played Felicia Montealegre, the actor and wife of Bernstein. Nézet-Séguin, a 48-year-old Canadian who is music director of the Metropolitan Opera and the Philadelphia Orchestra, served as a consultant to Cooper on conducting. Cooper, who is not Jewish, also faced scrutiny for wearing a prosthetic nose as part of his transformation into Bernstein, who was. What’s next for Cooper, a biopic of Herbert von Karajan, the iron-willed leading conductor of the second half of the 20th century?

Persons: Leonard Bernstein’s, Bradley Cooper, Maestro ″, don’t, Lincoln Center’s David Geffen, Leonard Bernstein, ” Yannick Nézet, Séguin, Cooper, Bernstein, Carey Mulligan, Felicia Montealegre, Maestro ”, Mulligan, Taylor Swift, ”, “ Bradley Cooper, Jamie, Nina, Alexander, Bayoh, “, Edward R, Murrow, Stevie Sondheim, —, Cooper didn’t, hadn’t, Gounod’s “ Roméo, Bernstein’s, Lenny, ” Cooper, What’s, Herbert von Karajan Organizations: New York Philharmonic, Lincoln, Lincoln Center’s David Geffen Hall, Associated Press, Venice, Metropolitan Opera, Philadelphia Orchestra, “, England’s Ely Cathedral, Lincoln Center, philharmonic Locations: New York City, America, “ Chichester, England’s

NEW YORK (AP) — The Los Angeles Opera has scrapped plans for the world premiere of Mason Bates' “The Amazing Adventures of Kavalier & Clay” this fall because of finances. The work will instead open with a student cast at Indiana University's Jacobs School of Music. Cremo sent an email last month to Abra K. Bush, dean of the Jacobs School, suggesting the shift. Bates, 47, won a Grammy Award in 2019 for “The (R)evolution of Steve Jobs,” which premiered at the Santa Fe Opera in 2017 and was coproduced with the Jacobs School. “It's a story about Jewish immigrants changing American culture and certainly that resonates in LA,” Bates said.

Persons: Mason Bates, Clay, Bates, Michael Chabon's Pulitzer, Dorothy Chandler, Christopher Koelsch, Koelsch, “, ” Peter Gelb, Gelb, Jeanine Tesori, George Brandt, Evans Mirageas, Paul Cremo, Cremo, Bush, ” Bush, ‘, ’ ” Bush, Bartlett Sher, Michael Christie, Yannick Nézet, Mark Grimmer, Steve Jobs, Gene Scheer, ” Bates, ” Organizations: Los Angeles Opera, Indiana University's Jacobs School of Music, Metropolitan Opera, Musical Arts Center, LA, Met, Washington National Opera, Cincinnati, Jacobs School, Jacobs, Lincoln Center Theater, Santa Fe Opera Locations: Bloomington , Indiana, America, Abra K, Indiana, New York, LA

NEW YORK (AP) — The New York Philharmonic will play excerpts of music from the Academy Award-nominated “Maestro,” on the life of former music director Leonard Bernstein, on Feb. 14. Bradley Cooper, the movie's star and director, will participate in a post-performance conversation at Lincoln Center's David Geffen Hall. Metropolitan Opera music director Yannick Nézet-Séguin, who coached Cooper for the movie and led music for the soundtrack, will conduct the performance in his New York Philharmonic debut and join the conversation, the orchestra said Wednesday. The program will include excerpts from "West Side Story,” “Candide," “On the Town,” “Trouble in Tahiti,” “A Quiet Place," “Chichester Psalms” and Bernstein's Symphony No. 3 “Kaddish.”“Maestro” was nominated for seven Oscars, including for best picture and best actor, for Cooper.

Persons: “ Maestro, ”, Leonard Bernstein, Bradley Cooper, Lincoln Center's David Geffen, Yannick Nézet, Cooper, “, Maestro ” Organizations: New York Philharmonic, Academy, Lincoln Center's David Geffen Hall, Metropolitan Opera, Associated Press Locations: Tahiti, “ Chichester

☆ Review: The Philadelphia Orchestra Revels, and Struggles, in Jazz
▼ + stars: | 2024-01-24 | by ( Anastasia Tsioulcas | ) www.nytimes.com time to read: +2 min

Much of 20th-century classical music owes a deep thanks to jazz. And while on paper, the Philadelphia Orchestra’s concert at Carnegie Hall on Tuesday night was organized for a festival at the hall, Fall of the Weimar Republic: Dancing on the Precipice, the subtext was American jazz. All three of the composers on the program (Stravinsky, Weill and Gershwin) loved and, to one extent or another, made references to the style in their music. Weill, who left Europe for the United States after the fall of the Weimar Republic, was also steeped in jazz. The orchestra staked out rhythmic details with crystalline precision and saw each phrase through with patience and a rich sound.

Persons: Stravinsky, Weill, Gershwin, wouldn’t, “, ”, Patrick Williams, Yannick Nézet, Nitzan, Edward Hopper Organizations: Philadelphia, Carnegie Hall Locations: Weimar Republic, Europe, U.S, United States

PHILADELPHIA (AP) — Musicians of the Philadelphia Orchestra and the Philadelphia Orchestra Association have ratified a collective bargaining agreement calling for minimum salaries to increase by 15.8% over three years. The deal announced Saturday night with Local 77 of the American Federation of Musicians covers Sept. 11 this year through Sept. 13, 2026. The union said the deal requires management to increase the number of musicians hired each year and to ensure the contractual level of 105 musicians and two librarians is met. Each musician received a supplemental payment of $750 or $1,500 in each year of the contract, the union said. Musicians struck on Sept. 30, 2016, causing cancellation of that season’s opening night, then announced an agreement two days later.

Persons: ” Ralph W, Muller, Michael D, ” David Fay, Yannick Nézet Organizations: PHILADELPHIA, —, Philadelphia Orchestra, American Federation of Musicians, Kimmel Center Inc, ” Locations: Saratoga

☆ Review: A Composer’s ‘Lear’ Freshens a Shakespeare Evening
▼ + stars: | 2023-06-23 | by ( Zachary Woolfe | ) www.nytimes.com time to read: +2 min

With tolling bells, grim chords and an uneasy melody, the opening immediately brings to mind Mussorgsky’s “Boris Godunov,” another tale of a king gone mad. This first section, “The Divided Kingdom,” shows Aucoin’s talent for creating orchestral textures that are simultaneously granitic and flickering, like fast-shifting storm clouds. Yannick Nézet-Séguin, the music director of the Metropolitan Opera and the Philadelphia Orchestra, deserves credit for consistently leading this richly gifted composer’s works with both organizations over the past few years. (Aucoin is currently working on an adaptation of Dostoevsky’s “Demons,” planned for the Met.) The Tchaikovsky lacked the passionate opulence that is this score’s reason for being.

Persons: “, “ Boris Godunov, ”, Kurosawa’s, —, Yannick Nézet, Dostoevsky’s, Bernstein, Tchaikovsky Organizations: Metropolitan Opera, Philadelphia Orchestra, hiccups Locations: “ Heath, ”

☆ Putting the Brutality of a Prize Fight on the Met Opera Stage
▼ + stars: | 2023-04-28 | by ( Victor Mather | ) www.nytimes.com time to read: +1 min

“Many in the crowd of 7,500 were begging” the referee to intervene, The Times reported. The referee, Ruby Goldstein, was later exonerated by the State Athletic Commission. The opera’s second act deals with the fallout from the fatal punches, and Griffith’s later life, including a brutal beating he received outside a gay bar. (The conductor Yannick Nézet-Séguin emerges in the pit for the second act in a boxer’s hooded robe.) Helping to make it look accurate was Michael Bentt, a former professional world champion who served as the opera’s boxing consultant.

☆ The Maestro Wore Blue: Bringing Pizazz to the Pit at the Met
▼ + stars: | 2023-04-27 | by ( Javier C. Hernández | Landon Nordeman | ) www.nytimes.com time to read: 1 min

Yannick Nézet-Séguin, the Metropolitan Opera’s music director, dressed in a blazing sapphire jacket and trim black pants, stood before a mirror backstage on a recent afternoon and smiled. “Oh my God, it’s so good,” he said, waving his baton. His outfit was modeled on one worn onstage by a band leader in Franco Zeffirelli’s classic production. Could the golden braid that dangled from his right shoulder be fastened, so it did not create a distraction in the pit? Was the jacket comfortable enough to accommodate the sweeping gestures that the music demanded?

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